“Nothing comforts anxiety like a little nostalgia,” Morpheus says in The Matrix Resurrections. That’s a not-so-subtle dig on the onslaught of reboots and remakes dominating our tradition — revisiting characters and tales we already know is, properly, protected. Audiences know what to anticipate, and it is a greater guess for risk-averse studios. Of course, Morpheus (now performed by Yahya Abdul-Mateen) can be commenting on the movie he is in.
More than twenty years after The Matrix essentially reshaped style cinema, director Lana Wachowski is lastly diving again into the universe that made her and co-director Lilly Wachowski famend. After all that point, is it actually price going again down the rabbit gap, or is that this simply one other straightforward franchise cash-grab?
The reply to that query will depend on what you need from a Matrix sequel. Like The Matrix Reloaded and Revolutions earlier than it, Wachowski (together with co-writers David Mitchell and Aleksander Hemon) is not focused on merely retreading the previous with Resurrections. Instead, it is a movie that is keenly conscious of its legacy, our relationship with its characters, and the lofty expectations that followers (and studios!) have when rebooting a beloved property.
As somebody who adored the unique movie, and located loads to respect within the much-maligned sequels, Resurrections feels made only for me. It’s intoxicating, thrilling and unabashedly romantic. But judging from the polarizing early important responses, it is clearly not for everybody.
Minor spoilers forward.
It’s exhausting to speak about what The Matrix Resurrections is with out describing its primary setup, most of which you’ll collect from the movie’s trailers. Keanu Reeves returns as Thomas Anderson, a programmer adrift in a world that does not fairly make sense to him. He meets a lady performed by Carrie-Anne Moss, however this time she’s not the Agent-whupping bad-ass Trinity, she’s simply your typical (albeit, strikingly stunning) mother. The two really feel an on the spot connection. Thomas ultimately will get ripped out of the world he is in due to a plucky new character named Bugs (Jessica Henwick), he finds the true world, and yadda yadda, you get the image.
Now, you could be asking your self, “Didn’t Neo and Trinity die in The Matrix Revolutions?” All I can do is level on the title of the film — what did you count on? This time, Anderson is a famend recreation developer recognized for creating an standard trilogy of video games that retell your entire Matrix story. When we first meet him, he is confronted with a brand new problem: making a fourth entry. He approaches it with the identical sense of dread the Wachowskis doubtless felt about tackling a possible Matrix 4. A collection of brainstorming scenes really feel as in the event that they’re pulled instantly from their very own hellish conferences with Warner Bros. Anderson’s workforce can solely deal with the floor — How do they transcend bullet time? What if they simply deal with extra senseless motion? — reasonably than something really substantive.
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