When The Book of Boba Fett started, I posited that the present’s energy was that it already knew who its titular character was. But as the collection units the stage for its conclusion, it has misplaced that self-assurance—and nearly totally misplaced the purpose of being a collection about Boba Fett.
If final week’s “Return of the Mandalorian” was a shock sideways step into a powerful episode of The Mandalorian as a substitute of The Book of Boba Fett, then “From the Desert Comes a Stranger” is an altogether extra stunning step right into a messy episode of The Mandalorian. Now that the present doesn’t have final week’s singular focus on Pedro Pascal’s Din Djarin, the penultimate chapter of The Book of Boba Fett solely additional exemplifies the weaknesses of the collection by providing a dense and wearying journey by way of cameos of many, many, many extra acquainted faces.
“From the Desert Comes a Stranger” straddles two needs, neither of which is to indicate what The Book of Boba Fett’s titular primary character is as much as because the shadow of the Pyke Syndicate continues to fall throughout Mos Espa.
The lesser of the 2 needs is at the very least tangentially associated to the present’s supposed “plot” —bringing again Timothy Olyphant’s Cobb Vanth, as his group is visited by the lengthy arm of the Pykes within the type of Clone Wars and Bad Batch antagonist Cad Bane (voiced by Clone Wars actor Corey Burton and bodily portrayed by Dorian Kingi), who’s now implementing the syndicate’s grip on the desert world. When Vanth has to weigh the implications of standing up for the folks he’s come to defend, and a proposal (delivered by Din) to facet with Boba, the present manages to at the very least nod to the private prices of Boba’s battle with the Pykes.
But The Book of Boba Fett’s primary need is to supply a sombre and irritating epilogue to The Mandalorian’s season 2 climax. Before Din commits to aiding Boba, he needs to settle issues left unsaid along with his former foundling Grogu, now within the early days of his re-training as a Jedi padawan. What this implies is one other encounter with Luke Skywalker (once more a visible results hybrid of Mark Hamill’s vocal skills and a stunt performer, this time Graham Hamilton), and even Ahsoka Tano (the returning Rosario Dawson). Din finds himself confronted with the Jedi’s infernal thought of stigmatized attachments. He is compelled to observe from afar as Grogu trains below Luke, and to take care of the lingering hypocrisy of the Jedi Order, which echoes by way of the actions of pressure customers the Order left to fend for themselves, spiritually and actually.
It’s a wierd, surreal, and prolonged sequence, taking over many of the runtime of “From the Desert Comes a Stranger.” We watch it unfold in an nearly cloyingly nostalgic sweetness—Ahsoka Tano, hero of the Clone War, subsequent to Din Djarin, as they watch Luke Skywalker, Jedi Knight, develop into a grasp to a small, excitable inexperienced baby with shades of the legendary Yoda. It’s unusual as a result of there’s a peculiar sense of battle and melancholy, as we see the roots of classes discovered by Ahsoka and Luke prior to now emerge in repeated errors, errors we all know that in the future will lay this fledgling Jedi Academy low.
We see Ashoka chide Din for anticipating Grogu to sacrifice his tutelage so as to reconnect with him, at the same time as she tells him that her purpose for being on the web site of Luke’s future temple is that she’s “an old friend of the family,” washing her palms of the Jedi’s future whereas additionally standing within the coronary heart of that future herself, unable to let go of her personal private connections. There’s a pleasure in watching Luke, who is aware of no different means at this level, returning to the teachings and workout routines Obi-Wan and Yoda sought to show him with as he trains Grogu, but additionally a unhappiness in that he embraced his previous masters’ hardline dogmas—providing the youngling the selection of both a life with the Jedi, within the reward of Yoda’s personal lightsaber, or a return to his adoptive father, represented by the Beskar chainmail shirt Din left behind as a parting act of affection, as if there have been no center floor for Grogu to take.
It’s that compelling, dangerously nostalgic combine we noticed in Luke’s first Mandalorian look, extrapolated: The push and pull of seeing Luke at his most luminescent as a Jedi; the tragedy of setting the stage for his eventual disaster of religion in The Last Jedi; and a strand of frustration that present Star Wars storytelling continues to be intrinsically chained to the Skywalkers.
But once more, regardless of no matter fleeting satisfaction we’d get from concluding plot strains left open on the finish of The Mandalorian season 2, this episode suffers as a result of it pulls us away additional and farther from the story of The Book of Boba Fett. From the scattershot push and pull of utilizing Cobb Vanth and Cad Bane as cameo bookends, to the insistence on exhibiting Din’s resigned acceptance of leaving Grogu behind whereas additionally relishing in exhibiting Luke’s tutelage of the kid, “From the Desert Comes a Stranger” is bursting with too many concepts from Star Wars’ previous. Too few of them are there with the intention to inform the present’s personal understanding of its purported protagonist.
Perhaps its a query of expectations. Would the tales instructed in “From the Desert Comes a Stranger” really feel stronger, work higher, in the event that they weren’t in a present named for a selected character that these tales nearly totally eschew? It’s arduous to say, and that’s partially as a result of The Book of Boba Fett—and all Star Wars dwell motion tv, together with the Mandalorian season 2 and upcoming collection like Ahsoka, Obi-Wan Kenobi, and Andor—has determined that the value of Star Wars’ fondness for intertextuality is allowing its protagonists to develop into much less distinct characters and extra like hollowed chess items.
Maybe chess is simply too sort an allegory for its grand design, an excessive amount of a suggestion of a layer of technique. The items of a recreation of chutes and ladders can be extra acceptable: an uphill wrestle as outlined as a lot by sharp ascendance as it’s by dizzying, spiralling retreats backwards.
Star Wars’ galaxy, as small as it may be at occasions, is extra interconnected and tightly woven throughout its myriad elements that ever earlier than, lending a weight of consequence to even the slightest occasion. But that tight weave has left little room for characters to do something greater than bounce between conflicts as a result of they’re so constricted they’ve nowhere else to go. So constricted that the second you assume {that a} character, or an thought, will probably be given time to breathe and stretch naturally, it’s reduce off by the opposite elements of that weave encroaching on its narrative focus.
Thankfully, about 5 minutes of “From the Desert Comes a Stranger” do notice that there ought to be some stage of ahead momentum coming into subsequent week’s ultimate episode, even when it continues to barely concentrate on its titular character. As the Pyke syndicate makes its first strikes—tasking Cad Bane with scaring off anybody who’d facet with Boba Fett, beginning with Vanth, whereas making extra direct threats within the type of an explosive assault on Garsa Fwip’s Sanctuary—the stage is about for Boba and his motley crew to combat for what little of their very own they’ve managed to carve out in Mos Espa. It shouldn’t should really feel like they’re combating their very own present to do this.
Next week, finally, we’ll get to see what’s in retailer for Boba as he takes a stand for what he has come to imagine in over the course of The Book of Boba Fett. But what has Boba come to imagine in, in a collection that has paved the way in which for this finale by largely casting him apart? In a present that has develop into more and more disinterested in its lead character—past evolving him from what it established with such confidence seven weeks in the past—it’s arduous to say. It’s even more durable to think about that Boba’s large stand will probably be value this whole endeavor.
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