Instead of doing anybody factor to deliver themselves again into the sci-fi cultural limelight, the heads behind the storied counterculture comedian journal Heavy Metal are taking a shotgun method to regaining their legacy, together with films, a revamped launch schedule and—as a result of why the hell not—NFTs.
During a Thursday New York Comic-Con panel, the storied journal introduced it was trying to create a so-called “Metalverse,” a phrase that desires to evoke Marvel Cinematic Universe vibes of outward enlargement. The firm once more confirmed off its trailer for its deliberate slate of reside motion and animated content material by its Heavy Metal Studios subdivision. The plan is to create films or reveals primarily based on brand- and creator-owned content material revealed by the journal, together with fashionable previous tales like Taarna and Cold Dead War.
Tommy Coriale, Heavy Metal’s head of studio, expanded extra on what this truly means for the legacy journal creators. He instructed the somewhat skinny viewers of die-hard Heavy Metal followers (although contemplating the brand new Super Mario Bros. film was premiering within the subsequent room, it was virtually a crowd) that they had been additionally taking up “a number of animated projects,” however didn’t element what these had been. He added there can be much more bulletins later this yr.
The high brass for the journal joined execs for the writer Whatnot, which that morning introduced it was inking a deal to publish almost a yr’s price of points beginning subsequent yr. It coincides with the journal asserting it was turning a brand new leaf, beginning a “volume 2” set to start out February 2023. This would finish the journal’s ostensibly first quantity run that has been ongoing since 1972, although the journal’s heads talked about the traditional concurrent situation quantity would seem inside all upcoming points.
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Whatnot is far more identified for its buying and selling platform centered round collectibles, particularly with the extremely fashionable Funko Pops line of figures. The firm introduced it was breaking into publishing again in July this yr. This partnership for the journal means they’ll be capable to publish far more persistently than prior to now, its heads mentioned. The deal can even help with creating wider distribution.
But this scattershot method to recreate its model recognition additionally contains tying themselves to the Web3 prepare and blockchain know-how. Those getting into the primary Heavy Metal web site are instantly directed to go to the Heavy Metal+ web site, which guarantees individuals can purchase “Web3 collectibles,” which are literally simply NFTs. The NFTs had been a part of a 2021 partnership with Crypto.com—sure, the corporate of “be bold” fame. Like some other nonfungible token sale, you want a crypto pockets to be able to entry them. Though they had been fashionable final yr, NFTs have seen a extreme drop in buying and selling quantity since the newest crypto crash.
Heavy Metal CEO Matthew Medney mentioned this content material permits customers to “actually own” their content material, in comparison with companies like Comixology which solely provide customers a license to view the content material. While he’s right there’s a big downside with digital possession, NFTs are extra akin to digital receipts of possession just like the deed to a home, linking to a replica of a piece that’s nonetheless hosted on a server. If that server ever experiences points, it’ll nonetheless affect an proprietor’s means to view that file. Still, Coriale, who mentioned he’s “very passionate in the [Web3] space,” added this “emerging technology” was one thing they had been deeply invested in and it’s not going away.
Heavy Metal has been ongoing for 45 years and in that point impressed a few of the most famous style creatives, from comics legend Grant Morrison (who briefly served as its editor and chief) to filmmakers like Guillemo del Toro and Ridley Scott. Though the journal lingers on, it has misplaced a lot of its luster, although its heads attribute this much less to the journal’s incapacity to innovate or preserve tempo, and extra to different sci-fi fiction appropriating Heavy Metal’s counterculture, raunchy, and sexually-charged perspective. (A beforehand hinted Heavy Metal documentary has up to now not proven any trace of rearing its head.) That could also be why govt editor Joseph Illidge talked with a small trace of bitterness about the truth that Netflix’s hit sci-fi collection Love, Death + Robots had began as a Heavy Metal omnibus movie; the animated collection’ co-creator, David Fincher, has brazenly talked about how Heavy Metal impressed him from a younger age. This have to obtain model recognition is why this refocus on the “Metalverse” is so vital for the elder comedian journal. That mentioned, “We’re not building the Metalverse in a day,” Illidge famous. “Even God needed seven.”
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