I Hate That Conoco Is So Good at Social Media

Illustration for article titled I Hate That Conoco Is So Good at Social Media

Photo: LM Otero (AP)

There’s a video on YouTube I maintain coming again to, although I completely hate it. It’s a 46-minute mixture of songs titled “Lofi glug glug mix – beats to drive/study to.” The buzzy, principally wordless digital tracks are set to an animation of an anime woman driving a automotive with a cheerful Shiba Inu hanging its tongue out the window. It’s lots like different lo-fi combine compilations on YouTube, besides on this one, there’s a tiny purple automotive with a Conoco emblem on the anime woman’s dashboard. That’s not an accident: The video was produced not by a random YouTube DJ, however by the official account of Conoco, an enormous chain of fuel stations owned by Phillips 66. (The “glug glug” within the title apparently refers back to the sound of fuel being pumped right into a automotive.)

“No joke this actually isn’t too bad as late night cruising music,” the highest remark reads. “Mad props to Conoco on this one as this is 🔥🔥🔥.”

I actually, actually hate that I agree.

Most oil and fuel corporations appear to wrestle with easy methods to current themselves on social media, isolating their model presence to strictly images of refineries on Instagram or making cringy statements about Pride on Twitter. Some have began dipping a toe into Instagram influencer advertising and marketing; an Earther investigation final month revealed that Shell has labored extensively with Instagram influencers, most just lately on a marketing campaign to advertise a carbon offsets scheme for his or her fuel. (Phillips 66 additionally labored with influencers on an Instagram marketing campaign.)

But Conoco stands out from its opponents: Its social channels are stuffed with content material they’ve created that’s really fascinating, principally as a result of it has completely nothing to do with gasoline. In one Instagram story, a make-up artist paints their face and chest to resemble a mountain scene, full with gondola; there’s a short that starts off with a man whose body is a cat tree; there’s a complete collection known as Conococooks, which options “recipes” with illustrations for meals like “Thrilled Cheese” and “Hamburgizzadog.” The entire factor is well-designed and just a little disorienting, which means I spent a lot of time on their account simply posts (which, I suppose, is the aim of a social media marketing campaign). The vibe is considerably paying homage to Brand Twitter, the ever-growing ecosystem of corporations who try (generally too far) to say a character—consider how the Steak-Umms account keeps picking fights with Neil DeGrasse Tyson—however with a take away that makes it not too annoying.

Reaching a youthful, Very Online crowd, it appears, is Conoco’s entire aim right here. Most of Conoco’s social content material seems to have been produced by Carmichael Lynch, an advert company based mostly out of Minneapolis. (Carmichael Lynch additionally ran the Phillips 66 campaign the place it tapped Instagram influencers.) In a case study posted on their web site, the company sheds a number of gentle on the aim of all this unusual posting from a gasoline model.

“Conoco wanted to reach 18-24-year-olds, a hard-to-engage audience,” the case research begins. “Skeptical of marketing and unlikely to interact with brands, they sit, text, curate and retweet in an endless stream of #content.”

Surveys have discovered that round 70% of this age group also experience eco-anxiety because of the local weather change brought on by the product Conoco is attempting to promote them. But, after all, that wouldn’t make for an excellent model marketing campaign. (Carmichael Lynch didn’t reply questions as as to whether younger folks’s issues about local weather change had been a part of their conversations with Conoco.)

The results of the evaluation is a marketing campaign known as Choose Go, which, the case research describes, is “a social-first campaign that changed the rules of social engagement by understanding the audience’s perceptions of brands. Instead of forcing advertising-like objects on them, we built content around their interests.” AdWeek wrote a glowing review of the “glug glug” lofi combine video, and per the case research, the marketing campaign generated hundreds of thousands of impressions on social media.

This technique of accelerating model loyalty whereas not specializing in the precise product was pioneered by one other oil big. In the Nineteen Seventies, Exxon sponsored a number of episodes of the PBS program Masterpiece Theater in one of many earliest examples of an organization associating itself with a cultural touchstone to spice up model loyalty. This technique may be actually profitable—which isn’t nice information for the local weather.

“This is why ad agencies are so dangerous: they can take a boring fossil fuel company and turn them into your hip best friend,” Jamie Henn, the director of Fossil Free Media, which runs a marketing campaign known as Clean Creatives devoted to pressuring advert and PR companies to stop working with fossil gas corporations, mentioned over Twitter DM. “Who cares if ConocoPhillips is blocking climate legislation if they’re sharing dope playlists and funny animations, right? I’m sure the team at CarmichaelLynch had a good time working this account, but creativity has consequences. Shilling for Big Oil is an act of climate denial no matter how cool it looks.”

There could possibly be limits to how far this don’t-focus-on-the-oil-and-look-how-funny-we-are method can go together with different oil and fuel corporations. I’m undecided if high-profile manufacturers like Exxon will be capable to attraction to Gen Z since its identify is related to mendacity about local weather change for many years. Other Big Oil corporations like Chevron, BP, and Shell have had a extra intense and unforgiving highlight placed on them for his or her function in delaying local weather motion.

One of the explanations this specific technique appears to have been capable of succeed right here is that Conoco hasn’t come below the identical scrutiny, maybe as a result of it solely sells fuel. But it does have a unclean historical past: ConocoPhillips, its predecessor firm, produces about 1.5 million barrels of oil per day. In 2012, ConocoPhillips, then the third-biggest oil firm within the nation, cut up its oil-and-gas producing arm from its oil-and-gas promoting arm; the ensuing corporations are ConocoPhillips and Phillips 66, which owns Conoco.

Phillips 66 and ConocoPhillips have carried out fairly properly since then: They are presently the fifth-largest and third-largest oil and fuel corporations by market share within the U.S. And on the finish of the day, promoting all that oil is what these sorts of campaigns are for.

“Conoco sold 40 million more gallons of gas in the campaign’s first five months compared to the year prior,” Carmichael Lynch concludes their case research proudly. Let’s hope not one of the different oil corporations determine easy methods to replicate this success.


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