Media artist Refik Anadol is at the moment exhibiting his newest creations on the Machine Hallucinations : Nature Dreams exhibit on the König Galerie. The exhibition will run till December 17, 2021 and incorporates a vary of artwork utilizing synthetic intelligence with structure and NFTs. “Having gathered around 300 million images of nature, Anadol’s MACHINE HALLUCINATIONS: NATURE DREAMS project is the culmination of almost three years of data collection. And he is full of praise for OLED as a “new canvas that allows all artists working in this digital space to form their digital paintings in the highest quality, to the highest standard and with the best presentation.”

“Anadol uses triptychs, or sequences of three panels, to expand unique visions of nature. In total, 12 77-inch OLEDs have been arranged both vertically and horizontally at the exhibition to express everything from delicate floral patterns to the detailed contours of satellite imagery. OLED technology can rise to this aesthetic challenge by harnessing the power of millions of pixels that all control themselves individually. This self-emissive advantage of OLED means you can get true black right next to vivid colors, creating a contrast that enables digital artists to portray exactly what they intend.”

Data-driven Art by Refik Anadol

“One of the reasons why I’m extremely happy and satisfied with using OLED in my work is it has perfect black and self-emissive technology. And, because of the natural concept of the project, it can show an enormous gamut of color and clarity in the experience,” Anadol says. Despite all of their very own strengths, OLED panels are skinny and lightweight, so that they mix into their environment and permit the artwork itself to shine. In addition to the triptychs, one other three 65-inch OLED panels have been positioned on the entrance of the exhibition corridor to exhibit Anadol’s signature artistic course of and previous works.”

“Sharing the title of the exhibition itself, Anadol’s sculpture NATURE DREAMS takes on a life of its own. The pigments of nature are, in this case, machine-generated. It appears so dynamic that it might burst into movement at any moment. And another of the works is on the outside of König Galerie – WINDS OF BERLIN evokes stained glass on the former church tower of St. Agnes. Based on environmental real-time data collected from the city, it is the first generative public artwork to be shown in Berlin in NFT form.”

Source : LG

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