Eighteen months in the past, Adobe introduced the “Camera to Cloud” (C2C) characteristic for its Frame.io cloud collaboration platform that will enable customers to add movies and photograph instantly from cameras. Now, it is unveiled the primary cameras to help the characteristic, the RED V-Raptor cinema digicam for RAW video, and Fujifilm’s new X-H2S mirrorless digicam for RAW photographs.
Frame.io is a cloud service that may deal with giant recordsdata, giving subscribers instantaneous entry to photographs and video on TVs, cell units and PCs. The C2C service permits customers to switch these recordsdata instantly from a digicam, fairly than having to attend till the fabric is bodily transferred to a pc.
Until now, you wanted third-party {hardware} to add content material from supported cameras. Now, the C2C integration is constructed instantly into the cameras, with “no additional hardware and no hard drives required,” Adobe mentioned.
With the RED V-Raptor and V-Raptor XL, customers can instantly add 8K RAW recordsdata to the cloud from the digicam (this requires entry to high-bandwidth WiFi or ethernet networks, in fact). With the system in place, “[Video] files can be automatically delivered right to production offices… for immediate editing,” Adobe wrote in its weblog.
In addition, RAW video audio recordsdata might be synced, colour corrected and transcoded within the cloud, permitting for “proxy” workflows. Translated to English, that you would switch small, easy-to-send video recordsdata around the globe, then hyperlink these robotically to a lot higher-quality RAW video for the ultimate output. Adobe demonstrates this (above), by robotically transmitting an 8K RAW file, proxy, audio and colour correction “LUT” file, suddenly.
On the photograph aspect, C2C will quickly work (almost) instantly with Fujifilm’s $2,500 X-H2S digicam, as effectively. You might want to purchase Fujifilm’s $1,000 FT-XH file transmitter that helps 802.11ac wi-fi and 600Mbps wired connections. With that related, photographers will be capable of ship high-resolution RAW recordsdata straight from the digicam, letting a photographer transmit breaking information photographs on to an company, as an illustration.
The new system is aimed toward professionals, however it might additionally let YouTubers ship content material on to an editor for a fast turnaround. Adobe is not the one firm doing this, as Blackmagic Design’s DaVince Resolve 18 features a suite of collaboration instruments that enable editors, colorists, VFX artists and audio engineers to work collectively in actual time on the identical venture. The new options will arrive to RED’s V-Raptor lineup by the top of 2022, and are available to the Fujifilm X-H2S in spring 2023.
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