Anyone who’s seen the Peter Jackson Lord of the Rings motion pictures will recall that for all their creatures and battle scenes, one among their niftiest particular results—exhibiting the peak distinction between wee Frodo and towering Gandalf—was all the time one of the visually placing. That’s additionally the case with Prime Video’s new Middle-earth Tolkien prequel, The Rings of Power.
Speaking with IndieWire, the sequence’ showrunners defined how they shot the scenes exhibiting characters of various sizes, particularly the encounters between brave but tiny Harfoot Nori (Markella Kavenaugh) and the a lot taller, as-yet-unnamed man (Daniel Weyman) who seemingly falls to Earth. “The goal was always let’s always be changing it up and never get too reliant on any one technique at any time,” showrunner JD Payne instructed the positioning, explaining Rings of Power used stand-ins of varied sizes (together with hand doubles for Harfoots and Dwarves), props of varied sizes, even separate units of varied sizes—and, in fact, some inexperienced display help when vital.
That mentioned, and with the most important finances in TV at their disposal, generally it got here all the way down to what co-showrunner Patrick McKay referred to as “old school Lumière camera tricks”—intelligent use of perspective that dates again to the earliest days of fantasy tales being captured on movie.
The Lord of the Rings: The Rings of Power drops new episodes Thursdays on Prime Video.
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